Barbara Jo Revelle
Curriculum Vitae
Personal Data:
1908 NW 10th Avenue
Gainesville, Florida 32605
(352) 392-0201
Major Fields:
Photography
Public Art
Film/video making
Installation Art
Inter-media
Education:
BA English Literature, University of Colorado
Boulder, Colorado, 1969
M.F.A. Photography/Film, University of Colorado
Boulder, Colorado, 1973
Center of the Eye, Aspen, Colorado, 18 hours of additional course
work in photography
SUNY at Buffalo, Buffalo, New York, 36 hours of additional graduate
work in the Ph.D. English Program with emphasis in film and media studies, 1973-1976
Teaching Experience:
University of Florida, Gainesville, Florida, Director of the School of Art and Art History, Professor, 1996 to 2000, Area Coordinator of Photography 2001 to the present
University of Colorado, Boulder, Professor, Associate Chair of the Department of Fine Arts 1991-94, Division Director of Photography, 1984 to 1996.
University of California, Los Angeles, January-March 1982, Visiting Artist, Photography; January-June 1983, Visiting Artist, New Forms
Institute of Design, Illinois Institute of Technology, August-December 1981, August-December 1982, Visiting Artist, Photography
University of Illinois, Chicago Circle Center, March 1980-June 1981, Adjunct Associate Professor, Photography
School of the Art Institute of Chicago, January-May 1978, January-May, 1979, and June-July 1983, Visiting Artist, Photography
San Francisco Art Institute, September-December 1978, Visiting Artist, Photography and Inter-media
Arizona State University, Tempe, September 1976-January 1978, Assistant Professor, Art and Intermedia
SUNY at Buffalo, Buffalo, September 1973-June 1976, Assistant Professor of Photography and Film
University of Colorado, Boulder, September 1971-June 1973, Teaching Associate, Photography
University of Colorado Extension, “Photography as Notation of Idea”, Spring Semester 1973 and “Rethinking Photography”, Fall Semester 1972
Public Art Commission
Ft. Myers Federal Building and Court House, $14,000 to do a guidebook about “An Alternative History of Ft. Myers” a 20ft. by 100 ft. ceramic tile mural , 1999-2000. Complete
Ft. Myers Federal Building and Court House, $110,000 public art commission to do a ceramic tile mural about the people’s history of Ft. Myers, 1998-2000. Complete
Lafayette Council on Public Art, $46,000 public art commission to do a mural on the New Public Library, Lafayette Colorado 1996-97. Complete
Colorado Art in Public Places Program, $40,000 commission to do a mural on a clocktower on the Safety and Justice Building, Longmont, Colorado, “How We Live and What We Live For.”1992-1993. Complete
Colorado Commission On Cultural Affairs, Denver Convention Center Commission to do two city block long photo based tile mural, “A People’s History of Colorado,” on the Denver Convention Center. $210,000. 1989-1991. Complete
City of Denver Commission to do a free standing companion piece to the “People’s History of Colorado Mural” inside the Denver Convention Center. $2,000. 1990. Complete
Colorado Council on the Arts and Humanities, Public Art Projects, $9,000, 1987-88 to do an interior mural on the Colorado Department of Social Services Building. Complete
“Chicago River Project” a documentary photo mural sponsored the Chicago Council on Fine Arts, exhibited at the Hancock Center, the I.B.M. Building and Uptown Hull House Gallery and various other venues around Chicago in 1980. $4,000.
Related Teaching Experience/Workshops:
“Critical Inquiry: What Is the Function of your Art?” a three day workshop with upper division and grad photography students at the University of Illinois, Carbondale, Illinois. March 2003
“Image/Text workshop, Western Michigan University, Kalamazoo, Michigan, a four day workshop, October 2001.
National Graduate Seminar, American Photography Institute, New York University, NY, NY, one week, Summer 2001.
The Photo Novella: Going for the Jugular -- Writing and Image Making As If You’re Life Depended on it. A four-day workshop at Virginia 1998.
“Photography and Writing” Penland School of Crafts, Penland, North Carolina, summer workshop, two and a half weeks. Summer 1997.
Sierra Nevada College, Visual and Performing Arts Dept., Incline Village, Nevada one week workshop on photography and creative writing, July 1996.
Denver Art Museum, Denver, Colorado, four day workshop on photographic portraiture, July 1996.
Adams State College, Alamosa, Colorado, Workshop in Creativity, one week, November 1993.
National Graduate Seminar, American Photography Institute, Tisch School of the Arts, NY, one week summer 1992.
Rhode Island School of Design, Providence. Visiting artist, one week, October 1987.
Southern Illinois University, Carbondale, lecture/workshop, one week, November 1986.
Colorado Mountain College, five day Symposium and Workshop, July 1982.
University of Colorado, Boulder, week long critique workshop with the Fine Arts Graduate Students through the Visiting Artist Program, April 1982.
Chicago Council on Fine Arts, 5 week film making workshop, July and August, 1980.
Lake Placid School of the Arts, Lake Placid, New York, “Extended Photo Projects”, three day workshop, July 1977.
Apeiron Photo Workshop, Millertown, New York, month long Visiting Artist position including informal teaching and presentations, June 1977.
Rhode Island School of Design ten week summer photo workshop in Provincetown, Massachusetts at the Fine Arts Work Center, summers of 1975 and 1976. Developed and taught all photo classes and built darkroom facility.
University of Colorado, Grand Junction Extension, “Photography for Educators’, eight day intensive workshop, August 1973.
Denver Public High School Film Making Workshop through the University of Colorado,
June-August, 1973.
Other Professional Work Experience:
Chicago Public Library, Produced 15 audio tape/slide programs on “Chicago Photography: The New Bauhaus to the Present” July-December, 1981.
Director of the Chicago River Documentation Project, Chicago Council of Fine Arts, March 1980-July 1981.
Photographique Ltd., Evergreen, Colorado, area photographer for the ski resorts at Aspen and Vail, winters of 1970 and 1971.
Exhibitions (*= solo show)
2008
*“Miami/ Miautre” (24 minute video) and “Looking for Zapatistas” (22 minute video) at Universidad San Igantio De Loyola, Lima, Peru, December
“High Lights from the Photography Collection: University of Florida Photography Legacy” Samuel P Harn Museum of Art, Gainesville, FL, March-August
True/False Film and Video Festival, “Miami Miautre”(24 minute video,) screened as part of this juried event, Columbia, Missouri, February-March
“Looking for Zapatistas” at “Flood Plane” a film and video exhibition in conjunction with the National Society for Photographic Education Conference, Denver, Colorado, March
2007
“Carnival Knowledge: Barrow, Alaska/ Key West, Florida” (1 hour video) screened concurrent with Gregory Ulmer’s key note address at the international Invent L “Imagining Place Conference” University of Florida, Gainesville, FL, February
“Machine and Production” Gallery 115, University of Central Missouri,
Warrensberg, Missouri, February-March
“ Addressing Iraq: Mail Art About the War,” University of Florida Reitz Gallery, Gainesville, FL and University of South Florida, Tampa
“Tenth Annual Postcards from the Edge” James Cohen Gallery, New York, NY, November
“42nd Annual Faculty Exhibition” a 42 photo series “Religious Experience”, University Gallery, University of Florida, Gainesville, FL September October
2006
“The Laughing Monks” Henry Art Gallery, Tacoma, Washington, with Akio Takamori, selected from their permanent collection. August
“Ninth Annual Postcards From the Edge” Sikkema Jenkins Gallery NYC, December
“Talk About Pictures” video/ text and 24-photo installation at University Gallery, University of FL, Gainesville January
“Packed: Portable Views of Varied Terrain” Hardman Hall Gallery, Mercer University, Macon, GA February
2005
“Carnival Knowledge”109 photo installation at the Harn Museum of Art, Gainesville, FL
“First to See the Light” Quay School of Art Gallery, Wanganui, New Zealand, July-August
“Insight Photography Project” Vermont Center for Photography Gallery, Brattleboro, VT
“Into Ontario” solo screening of my 28 minute video, Visual Studies Workshop, State University of NY College at Brockport, July
Robert Miller Gallery, NY, NY, “2005 Postcards from the Edge” December
2004
“Postcards From the Edge” Brent Sikkema Gallery, NY, NY, December
“American Roads”, Ouray Historical Society, Ouray, Colorado, May-July
“Sites, Investigations, and Re-enactments” Limrick City Gallery, Limrick, Ireland, June
*“Scrutiny” an interactive performance and installation, Focus Gallery, University of Florida, Gainesville, Florida, November-December
2003
“38th Annual Faculty Exhibition” a 109-photo/video/text installation entitled “Good Vs. Evil Dooers” University Gallery, University of Florida, Gainesville, FL, January
“Miami/Miautre” invited video screening at the University of Illinois, Carbondale, March
“American Roads” Storyville Cinema, Salida, Colorado, February-April
“Censorious” a collaborative video work on censorship and women artists, my work featured, Ceres Gallery, NY, NY, May 2003
“American Roads” photography exhibition, Estes Park Historical Museum, Estes Park, Colorado, September
“6th Annual Postcards from the Edge”(invitational), Galerie Lelong, NY, NY, November
*“Miami/Miautre” invited video screening at the University of Austin, TX, January
“5th Annual Postcards from the Edge” (invitational) Sperone Westwater Gallery, NY, NY, October
“Sun Pictures to Photoconceptualism: Photography from Local Collections” at the Vancouver Art Gallery, Vancouver, Canada, curated by Roy Arden, with a catalogue. September
“Mother May I”? University of Michigan Art Gallery, Ann Arbor, Michagan, curated by Marilyn Zimmerman, September
*“Going On Being” photo/text/video installation, Western Michigan University Gallery, Kalamazoo, Michigan, October
*“Consuming Mexico: Looking for Zapatistas” performance at New York University, NY, NY, June
Art Club Tribeca, New York, New York, group photo exhibition “Current and Former Faculty of the National Graduate Seminar” June
“4th Annual Postcards from the Edge” at Sara Meltzer Gallery, NY, NY, November 2001
“Miami/Miautre” video screening at the Graduate School of Europe in Saas Fe, Switzerland, (tape is collaboration with will Pappenheimer) August
Samuel P. Harn Museum of Art, Gainesville, Florida, The Swamp: On the Edge of Eden, “Dredging the Swamp” a 64 photo - text installation, curated by Kerry Oliver Smith January
Cummer Musuem of Art, Jacksonville, Florida, The Swamp: On the Edge of Eden, “Dredging the Swamp” a 64 photo - text installation, February-April
*“Consuming Mexcio: Looking for Zapatistas” video installation and performance for the Society for Photographic Education, National Conference, Savanna, GA, February 16,
*“Questioning” at the Galleria de Universidad Veracruzana, Xalapa, Mexico, May-June, solo exhibition of photographs and text.
“The Caribbean Code” a photo/video/text installation at the Samuel P. Harn Museum of Art, in conjunction with the 35 Annual UF Faculty Exhibition, Gainesville, Florida, November
“Verve: The Other Writing”, my video “Miami/ Miautre” was part of the electracy project of the Ngapartji Multimedia Center, as part of the Telstra Adelaide Festival, South Australia, 3rd-26th March
“Miami/Miautre” video screening at the Graduate School of Europe, Seminar on Chorography, Saas Fe, Switzerland, August
“American Roads” Adams county Museum, Brighton, Colorado, September
1999
“Miami Miautre” 1/2 hour video shown at Digital Arts & Culture International Conference, School of Literature, Communication, and Culture, Georgia Institute of Technology, Atlanta, Georgia, October 1999
“Trying to Put On Another’s Skin” (installation) University Gallery, UF, Gainesville, January 1999
“What Will You Miss?” Invitational Exhibition, School of Art and Design, Georgia State University, Atlanta, Georgia, March 1999
1998
“Imaging Florida”, University of Miami Gallery, Miami, Florida, July 1998
“Photography From the Collection” Museum of Contemporary Art, Los Angeles, CA
“33rd Annual Art Faculty Exhibition”, University Gallery, University of Florida, Gainesville, Florida.
“Being Answerable”, interdisciplinary installation, at the European League of Institutes Of the Arts Conference in Helsinki, sponsored by the Manchester Metropolitan University, UK.
“American Roads”, Lamar Public Library, Lamar, Colorado, summer
1997
“Imaging Florida”, University Gallery, University of Florida, Gainesville, Florida.
“Telling a Story: Narrative Work in Craft, Penland Gallery, Penland School of Arts and Crafts, Penland, North Carolina.
“Contained/Controlled”, Art 800 Gallery, Miami Beach, Florida
“32nd Annual Art Faculty Exhibition”, University Gallery, University of Florida, Gainesville, Florida.
“Visiting Artist Exhibition” Penland Gallery, Penland School of Arts and Crafts, Penland, North Carolina.
1996
“Issues in Contemporary Photography”, The National Museum of Modern Art, Kyoto, Japan.
“Sniper’s Nest: Art From the Collection of Lucy R. Lippard”, University of Colorado Art Galleries, Colorado Springs, CO.
“Narrative Pictures”, Sierra Nevada College Gallery, Incline Village, Nevada.
1995
“Visible Traces: Works From the Collection”, Visual Studies Workshop Galleries,
Rochester, New York.
“Sniper’s Nest: Art From the Collection of Lucy R. Lippard”, The Richard and Marieuse Black Center for Curatorial Studies Museum, Bard College, Annondale on Hudson, NY.
“To Space is the Place” Science and Technology”, Richard J. Earnest Cultural Center Gallery, Annendale, Virginia.
“American Roads” St. Louis Art Museum, St. Louis, Missouri
1994
“From the American Collection”, Minnesota Museum of Art, Landmark Center, Saint Paul, Minnesota.
“The Romance of Transportation” Kresge Art Museum, Michigan State University, East Lansing, Michigan (exhibition touring state of Michigan)
“The Road and the Bridge”, Palm Springs Desert Museum, Palm Springs, California
“Allegorical Portraits”, Northlight Gallery, Arizona State University, Tempe, Arizona
“The Lure of the Local” curated by Lucy Lippard, University of Colorado Fine Arts Galleries, Boulder, Colorado.
“Intention and Technique III”, Lehigh University Art Galleries, Bethlehem, Pennsylvania.
“American Roads”, Larsen Gallery, University of Minnesota, St. Paul, Minnesota.
1993
“Women’s Work”, Victoria and Albert Museum, London, England.
American Photography Institute Visiting Faculty Exhibition, Tish School of Arts, New York University, New York.
“Why We Came and What We Came For”, permanent mural on the Longmont Safety and Justice Building, Longmont, Colorado, 1% for the arts public art commission.
“A Second Look” Harry Ransom Humanities Research Collection, University of Texas Art Galleries, Austin.
“Seeing Is Believing”, installation in “The Boulder Flow” at the University of Colorado.
“How To Stop Pushing Love Away’ installation at In the Blink of an Eye Gallery, Boulder, Colorado.
“Public Art”, Boulder Art Center, Boulder, Colorado.
“Meeting Ground” and interactive public art piece, sponsored by the Boulder Art Center as part of the 1993 Women on Site/Art In the Park Program, Boulder, Colorado.
1992
“From the Collection”: Lowe Art Center, Syracuse University, Syracuse, New York.
“Women Photographer’s From the Collection” Harry Ransom Humanities Research Center, The University of Texas Art Galleries, Austin, Texas.
“Creative Fellowship Recipient’s Show”, Boulder Art Center, Colorado.
“20th Anniversary of the Visiting Artist Program”, CU Art Galleries, University of Colorado, Boulder.
“From the Collection”, Center for Creative Photography, Tucson, Arizona
1991
*”Colorado Panorama: A People’s History of Colorado”, permanent installation of a two city block long photo based tile mural on the Denver Convention Center.
Metro Center for the Visual Arts, Metro State College, Denver, Colorado.
“Biennial Invitational Exhibition”, Northlight Gallery, Arizona State University, Tempe.
“American Roads” The Minnesota Museum of Art, Saint Paul, Minnesota.
“Selections From the Photography Collection” University of Oklahoma Museum of Art, Oklahoma City.
“American Roads”, Museum of Modern Art, Stockholm, Sweden.
1990
“Body Language: The Figure in Art of Our Time”, Rose Art Museum, Brandeis University, Boston, Massachusetts.
“The Right to View: Perspectives on Censorship” Robischon Gallery, Denver, CO.
“Colorado 1990” Denver Art Museum, with exhibition catalogue.
“Fine Arts Faculty Show” University of Colorado Fine Arts Galleries, Boulder.
“Professors Show” Ginny Williams Gallery, Denver, Colorado.
“Aesthetophobia II: The Fear Continues” 2/C Gallery, Denver, Colorado.
“Eight Annual Photographer’s Holiday Exhibition”, California Museum of Photography, Riverside, California.
1989
“New Photography and Old Friends”, Hoffman Gallery, Oregon School of Arts and Crafts, Portland, Oregon.
“13 Days: From Christmas to the Feast of the Epiphany”, Andrew J. Macky Gallery, University of Colorado, Boulder, Colorado.
“The Show of Shows” Boulder Center for the Visual Arts, Boulder Colorado.
“Feminists In Exile”, Visual Studies Workshop Gallery, Rochester, New York in conjunction with the National Society for Photographic Education Conference.
“Anti-Aesthetic” 2-C Gallery, Denver, Colorado.
1988
“Revelations”, solo exhibitions, Shepherds College Shepherdstown, West Virginia
“Photographs by Women: Clementina Viscountess Hawarden to Cindy Sherman, Victoria and Albert Museum, London, England.
“Recent Modern Acquisitions”, Seattle Art Museum, Washington.
“Altered States: 20th Century Graphics From the Permanent Collection” The Desert Museum, Palm Springs, California.
“Self Portraits”, Arvada Center for the Visual Arts, Arvada, Colorado.
“Women Creating Women’, curated by Lucy Lippard, University Memorial Center, University of Colorado, Boulder, Colorado.
“The Fine Arts Faculty and the Things They Collect”, University of Colorado, Boulder, Colorado.
*Colorado Endowment for the Arts and Humanities, Public Arts Commission, Permanent Installation of 54 photo in the Social Services Building, Denver, Colorado.
“Recent Acquisitions” Sheldon Memorial Art Gallery, University of Nebraska, Lincoln.
“American Roads”, Grand Rapids Art Museum, Grand Rapids, Michigan
1987
“The Wife’s Tale: A Photo Language Installation”, Rhode Island School of Design,
Providence, Rhode Island
“Facets of the Collection”, San Francisco Museum of Modern Art, San Francisco, California.
“Modern Photography and Beyond”, The National Museum of Modern Art, Kyoto, Japan
“Kollektionen”, Fotografiska Musette, Museum of Modern Art, Stockholm, Sweden
“Feminist Photographics’, Installation Gallery, San Diego, California
“Family Portraits”, Write State University Art Galleries, Dayton, Ohio, with catalogue
“Kidstuff’, University Memorial Centery Gallery, University of Colorado, Boulder
“American Roads”, Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, Nebraska
“Intentions and Techniques II” Lehigh University Art Galleries, Bethlehem, Pennsylvania
1986
“Das Aktfoto 1840-1986”, Hamburg, Germany
“New Nudes”, Camera Obscura Gallery, Denver, Colorado
“Photographic Book to Photobookwork: 140 years of Photography, In Publication” California Museum of Photography, Riverside, California
Hunter College, New York City, “Viewpoints”
Mcad Gallery, Minneapolis College of Art and Design, “Lifestories! A Photo/Video Exhibition”, Minnesota
“American Roads”, Singer Gallery, Petaluma, California
“From the American Collection”, University of Iowa Museum of Art, Cedar Rapids, Iowa
University of Minnesota, “American Roads”, Twin Cities, Minneapolis
Faculty Show, University of Colorado Art Galleries, University of Colorado, Boulder, Colorado
Center for Idea Art, “Image Wars”, Denver, Colorado
“From the Collection” University of Iowa Museum of Art, Cedar Rapids, Iowa
*University of Illinois, Carbondale. “Barbara Jo Revelle” Solo Exhibition
School of the Art Institute of Chicago, “Naked”, Chicago, Illinois
1985
*”How Do You See Yourself?” New Langton Arts Center, San Francisco, California with a slide show at the Kabuki Theater
“New Photography”, Stanford University Art Gallery, Stanford, California
“Extending the Perimeters of 20th Century Photography”, San Francisco Museum of Modern Art, with exhibition catalogue
“Critical Messages”, Artemisa Gallery, Chicago, Illinois, with catalogue
“Critical Messages”, University of Colorado, Boulder, in conjunction with Toward a Visual Culture: Related Issues in Film Photography and Electronic Media. A national conference
“Family Tradition/Transition”, Rochester Arts Center, Rochester, Minnesota
“Naked”, Boulder Center for the Visual Arts, Boulder, Colorado
“Society for Photographic Education Invitational Show”, Workspace Gallery, University of Colorado, Boulder
“C. U. Boulder Portfolio Show”, Music Building Gallery, University of Colorado, Boulder
“Intentions and Techniques”, Lehigh University Art Gallery, Pennsylvania
1984
“Landscapes, Figures, Objects: The Implied Performance” California State, Northridge
“Contemporary American Photography”, Jeffery Fuller Fine Arts, Philadelphia, Pennsylvania
*”New Family Album”, Nexus Center for Contemporary Arts, Atlanta, Georgia
*”Solo Photo Exhibition”, Lightsong Gallery, University of Arizona, Tucson
*”Spring Comes Late to Upstate New York: A Tribute to Hollis Frampton”, Hallwalls Gallery, Buffalo, New York
“Faculty Show”, University of Colorado Art Galleries, University of Colorado, Boulder, Colorado
*”New Family Albums: A Photo-Audio-Video Installation Project”, Visual Studies Workshop, Rochester, New York
“The Dean’s Show”, University of Colorado, Boulder
“C. U. Boulder Portfolio Show”, Work Space Gallery, University of Colorado
“C. U. Boulder Portfolio Show”, School of the Art Institute of Chicago, Chicago, Illinois
“American Photography Today”, Arvada Center for the Arts and Humanities, Arvada, Colorado
“The Road Show: Documents and Metaphors”, University of Louisville Art Museum,
Louisville, Kentucky
1983
“The Self As Subject: Visual Diaries by 14 Photographers”, The University of New Mexico, Albuquerque, New Mexico
“Pattern and Decoration in the History of Art”, University of Colorado, Boulder
“American Roads”, Etherton Gallery, Tucson, Arizona
“The Center of the Eye”, Aspen Center for the Visual Arts, Aspen, Colorado
“Colorado Photography Invitational”, Grant Street Art Center, Denver, Colorado
“Looking at Women’, Artemisa Gallery, Chicago, Illinois
1982
“Young American Photographers/Paris Biennial”, Musee des Artes Moderne, Paris
“Form, Freud and Feeling: Recently Acquired Works for the Museum’s PermanentCollection”, San Francisco Museum of Modern Art, San Francisco, California
*”Child’s Play” A Photo Related Installation”, in conjunction with the “Series, Sequence and Narrative in Photography” Symposium, Colorado Mountain College, Breckenridge, Colorado
“American Photography Today”, University of Colorado, Denver “Visual Cataloguing and Mapping”, Visual Studies Workshop, Rochester, New York
“American Roads”, University of Oklahoma Museum of Art, Oklahoma City
1981
*”The Family Album: An Installation”, Roanoke College, Salem, Virginia
“Life as Story”, North Light Gallery, Arizona State University, Tempe, Arizona
“ORD to LAX: Chicago’s Contemporary Photography”, Los Angeles Center for Photographic Studies, Los Angeles, California
“The Gift from Chicago”, California Museum of Photography, Riverside, California
“Some Girls/A Celebration of Chicago Women Artists” in conjunction with Judy Chicago’s “Dinner Party”, Chicago, Illinois
“Light and Form: Museum of Science and Industry, Chicago, Illinois
“New Work”, Friends of Photography Gallery, Carmel, California
1980
“Words and Pictures”, University of Connecticut, with Bart Parker, Wanda Hammerbeck, Ed West
“The Portrait Extended”, Museum of Contemporary Art, Chicago, Illinois
“Art Words and Book Words”, L.A.I.C.A. Gallery, Los Angeles, California
“Ten American Artists: Casa de la Cultura”, Guadalajara, Mexico
“Recovering: A Photo/Language Installation”, Randolph St. Gallery, Chicago, Illinois
“Chicago River Project”, a documentary project sponsored the Chicago Council of Fine Arts, exhibited at the Hancock Center, the I.B.M. Building and Uptown Hull House Gallery
1979
“A Day in the Life”, ARC Gallery, Chicago, Illinois
“Recent American Photography”, Kiosko del Arte, Hermasilla, Mexico
*”One-Artist Show”, University of Rhode Island, Kingston
*”Reading: Photo Related Installation”, Chicago Center for Contemporary Photography,
Columbia College, Chicago, Illinois
“Attitudes: Photography in the 1970’s”, Santa Barbara Museum of Art, CA
“One-Artist Show’, LACPS Gallery (Los Angeles Center for Photographic Studies), Los Angeles, California
*”Reading: Photo Related Installation”, One-Artist Show, San Francisco Art Institute, performance at opening, San Francisco, California
1978
“Twenty Arizona Artists”, Phoenix Art Museum, Arizona
*”Art Making’s Heart Breaking”, One-Artist Show, School of the Art Institute, Chicago, Illinois
“On Wilhelm Reich, Guilt and Christmas Giving”, Performance/Installation, Arizona State University, Tempe, Arizona
1977 de Young Museum, San Francisco, California
“The Great West: Real/Ideal”, University of Colorado, Boulder, traveled nationally and internationally for two years by the Smithsonian
Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
Camerawork Gallery, San Francisco, California
*”Moving”, a photo related environmental installation, Center for Exploratory and Perceptual Arts, Buffalo, New York
“Sorting”, a photo related environment and 8 day performance, State University Fine Arts Gallery, Tempe, Arizona
1976
F-Stop Gallery, University of New Mexico, Albuquerque
Spectrum Gallery, Tucson, Arizona
“Arizona State University Photography Faculty Show”, North Light Gallery, Arizona State University, Tempe, Arizona
“Rhode Island School of Design Faculty Show”, Hudson D. Walker Gallery, Provincetown, Massachusetts
Gallery Association of New York Traveling Photography Show, exhibited at:
Fulton-Montgomery Community College, Johnstown, New York
State University of New York at Alfred, New York Downstate Medical Center,
Brooklyn, New York
Columbia Green Community College, Hudson, New York
Niagara Council of the Fine Arts, Niagara Falls, New York
Mohawk Valley Community College, Utica, New York
1975
“One-Artist Show”, Midtown Gallery, New York, New York
Rosary Hill College Fine Arts Gallery, Buffalo, New York
“Summer Faculty Show”, Fine Arts Work Center Gallery, Princetown, MA
“8 Buffalo Women”, University of Michigan, Ann Arbor, Michigan
“Works on Paper”, Hallwalls Gallery, Buffalo, New York
“Coming of Age in America”, Midtown Y Gallery, New York, New York
“The Floating Foundation of Photography, New York, New York
1974
“One-Artist Show”, CEPA Gallery, Buffalo, New York
*”One-Artist Show”, Patterson Gallery, Westfield, New York
“The Camera is Not a Mirror (And Anyway the Bedroom Is No Place For Reflection)”, photo related environmental installation, Upton Gallery, SUNY at Buffalo, New York
“34th Western New York Juried Exhibition”, Albright Knox Art Museum, Buffalo, New York (Grand Prize Winner in the Photography category)
1973
“Fine Arts Faculty Show”, Upton Gallery, SUNY at Buffalo, Buffalo, New York
*”A Mexican Portfolio”, One-Artist Show, University of Colorado Photo Gallery, Boulder
“Mail/Art”, Santa Ana College, California
“Image/Counter Image”, Boulder Public Library, Boulder, Colorado
“M.F.A. Thesis Shows”, University of Colorado, Boulder
*”One-Artist Show”, The Art Dealer Gallery, Lyons, Colorado
1972
“Light”, Henderson Gallery, University of Colorado, Boulder
1969
Center of the Eye Gallery, Aspen, Colorado
Early Film Festivals/Invitational Screenings (* indicates solo show)
“Outsider’s Look at Mexico” Society for Photographic Education conference
Daytona Beach, Florida, 1999
University of Colorado, Boulder, Colorado 1986
Hallwalls, Buffalo, New York 1985
*San Francisco Art Institute, California 1979
Arizona State University, Tempe, Arizona 1977
International Women’s Year Conference, Houston, Texas 1977
*Lake Placid Center for the Arts, Lake Placid, New York 1977
Women in Film (Conference), Women/Image/Now, Phoenix, Arizona, 1976
Hudson D. Walker Gallery, Provincetown, Massachusetts 1976
Harvard University, Cambridge, Massachusetts 1976
California State College, Bakersfield, California 1975
ArtPark, Lewiston, New York 1975
*Fine Arts Work Center, Provincetown, Massachusetts 1975
“Eleven Buffalo Film-makers”, Erie County Public Library, Buffalo, New York 1975
“Womenview”, part of Refocus Photography Festival, University of Iowa, 1974
Rochester Institute of Technology, Rochester, New York 1974
CEPA Gallery, Buffalo, New York 1974
University of Buffalo, Buffalo, New York 1974
“Avant Garde Film”, University of Colorado 1972
Boulder Place Library, Boulder, Colorado 1972
Permanent Public Collections:
International
Bibliotheque National, Paris, France
Eikoh Hosoe Collection, Tokyo, Japan
Museum of Modern Art, Stockholm, Sweden
Nasrallah S. Behbehandi Collection, State of Kuwait
National Museum of Modern Art, Kyoto, Japan
Victoria and Albert Museum, London
National
Albuquerque Museum, Albuquerque, New Mexico
Arizona State University, Northlight Gallery, Tempe, Arizona
Arizona Western College, Yuma, Arizona
Berkley Art Museum, Berkley, California
California Museum of Photography, Riverside
California State University, Long Beach, California
Cedar Rapids Museum of Art, Cedar Rapids, IA
Center for Creative Photography, Tucson, Arizona
Chicago Art Institute, Chicago, Illinois
Citibank, Los Angeles, California
Colorado Collection, University of Colorado, Boulder, Colorado
Denver Art Museum, Denver, Colorado
Franklin Furnace Archive, Inc., New York, New York
George Eastman House, Rochester, New York
Grunwald Center for the Graphic Arts, University of California, Los Angeles
Harrison Museum of Art, Utah State University, Logan, Utah
International Museum of Photography at George Eastman House, Rochester, NY
Kresge Art Museum, Michigan State University, East Lansing, Michigan
Lehigh University Art Galleries, Bethlehem, Pennsylvania
Los Angeles County Museum of Art, Los Angeles, California
Lowe Art Center, Syracuse University Art Gallery
Madison Art Center, Madison, Wisconsin
Midtown Gallery Collection, New York, New York
Michigan State University, East Lansing, Michigan
Minneapolis Museum of Art, Minneapolis, Minnesota
Minnesota Museum of Art, Saint Paul, Minnesota
Museum of Contemporary Art, Los Angeles, California
Museum of Fine Arts, Houston, Texas
New Orleans Museum of Art
New York Public Library, New York, New York
Nora Eccles Harrison Museum of Art, Utah State University
Oakland Museum, Oakland, California
Rose Art Museum, Brandeis University, Waltham, Massachusetts
Ruttenberg Arts Foundation, Chicago, Illinois
Samuel P. Harn Museum of Art, Gainesville, Florida
San Francisco Museum of Modern Art
Santa Barbara Museum of Art, California
School of the Art Institute, Chicago, Illinois
Seattle Art Museum, Seattle, Washington
Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, Nebraska
Sinte Museum of Art, University of Notre Dame, South Bend, Indiana
Spencer Museum of Art, University of Kansas
St. Louis Museum of Art, St. Louis, Missouri
Tacoma Art Museum, Tacoma, Washington
The Chrysler Museum, Norfolk, Virginia
The Desert Museum, Palm Springs, California
The Progressive Corporation, Cleveland, Ohio
The University of Texas Humanities Research Center, Austin
Tweed Museum of Art, University of Minnesota, Duluth, Minnesota
University of Colorado Art Galleries, Boulder, Colorado
University of Iowa Museum of Art, Iowa City, Iowa
University of Louisville Photographic Archives, Louisville, Kentucky
University of Minnesota Art Galleries, Minneapolis, Minnesota
University of New Mexico Art Museum, Albuquerque, New Mexico
University of Northern Iowa Gallery of Art, Cedar Falls, Iowa
University of Oklahoma Museum of Art, Norman, Oklahoma
Utah Art Museum, University of Utah,
Visual Studies Workshop, Rochester, New York
Wexler Center for the Visual Arts, Ohio State University, Columbus, Ohio
Fellowships, Grants and Public Art Commissions:
Fine Arts Scholarship Enhancement Grant: “Witchtown”: A Photograpy Project about Cassadaga, Florida. $2500, 2007/08
Fine Arts Scholarship Enhancement Grant: “Death As a Way of Life”: A Video/photo/text installation Project about the ethical and philosophical implications surrounding hunting. $4500, sabbatical year 2003/04
Fine Arts Scholarship Enhancement Grant: “No Life Guard On Duty”, A Photo/Video/Text Installation Project About Coming to Terms with my Father’’s Death, $3,500, 2002
Fine Arts Scholarship Enhancement Grant: Documentary Dilemmas in Xalapa: A video project about how activist artists and intellectuals in this Mexican university town think about documentary photography and social change, $5,000, summer 2001
Fine Arts Scholarship Enhancement Grant: “Disturbance: A Video/ Photo/ Text Project About the Indigenous People’s Struggle in Southern Mexico, $5,000, summer 2000
Fine Arts Scholarship Enhancement Grant: “Consuming Mexico” A photography/CD Project, $3,500 summer 1999
Opportunity Fund, University of Florida Division of Sponsored Research, Miami River Project, with Ulmer, Tilson, Freeman and Bleach. $12,000 to do my part of the research, 1998
National Endowment for the Arts Public Arts Grant, co-sponsored by the Lafayette Cultural Arts Commission, Colorado, for $15,000 for a Public Art Mural on the Lafayette Public Library 1998
Ft. Myers Federal Building and Court House, $118,000 public art commission to do a ceramic tile mural about the people’s history of Ft. Myers,
1997-98
Lafayette Council on Public Art, $42,000 public art commission to do a mural on the New Public Library, 1996-98
CRCW Grant In Aid for Mexican Photography CD ROM project, $4,000, 1995
CRCW Dean’s Small Grant, Travel to Mexico City and Oaxaca to participate in round table discussion on AIDS and art, $600, 1994
Graduate Committee on the Arts and Humanities Travel Grant to work on Mexican photography project, $1,400, 1994
Council on Research and Creative Work Grant, University of Colorado, $2,500, for work on Mexican photography project, 1994
Colorado Art In Public Places Program, $40,000 commission to do a mural on a clocktower in Longmont, Colorado, 1992-1993
Graduate Committee On the Arts and Humanities Award for photography project, University of Colorado, Boulder, $2,000. 1992
Colorado Council On the Arts and Humanities Individual Artist’s Fellowship $4,000. 1991-1992
Colorado Commission On Cultural Affairs, Denver Convention Center Commission to do two city block long photo based tile mural on Denver Convention Center, $210,000. 1989-1991
City of Denver Commission to do a free standing companion piece to the “People’s History of Colorado Mural” inside the Denver Convention Center. $2,000. 1990
University of Colorado Faculty Fellowship for 1989-1990 Academic Year (years salary).
Council on Research and Creative Work Grant, University of Colorado, ($3,000) for “The People’s History of Colorado” a photo based tile mural and bookwork. 1989-1990.
Boulder Arts Council, Photographic Project, $1,200, 1988
Impart Program, University of Colorado, Boulder, Colorado, $800
Colorado Council on the Arts and Humanities, Public Art Projects, $9,000, 1987-88
Neodata Endowment for the Arts and humanities, ($1,800) for an intermedia project, 1987
Western States Media Arts Fellowship, ($3,500) for film project funded by the
American Film Institute 1985-86
Colorado Endowment for the Humanities, for the conference Toward a Visual Culture, Related Issues In Film, Photography and Electronic Media, ($1,500) 1985
University of Colorado Graduate Committee on the Arts and Humanities for the conference Toward a Visual Culture, ($600) 1985
Boulder Commission on the Arts Grant conference Toward a Visual Culture...($400) 1985
Council on Research and Creative Work Grant, University of Colorado, ($3,779) for “Drowning” a photographic and filmic installation project. 1984
Nexus Center for the Contemporary Arts/grant to complete artist bookwork, ($1,000) sponsored by the National Endowment for the Arts 1984
Visual Studies Workshop Artist in Residence/Fellowship, ($1,000) funded by N.E.A. 1983
Illinois Artist’s Fellowship, ($5,000) 1983
Illinois State Council on the Arts, Photo/Language Project, ($750) 1981
Illinois State Council on the Arts, Photography, ($685) 1980
Illinois State Council on the Arts, “Reading’, a Photo Related Environmental Installation, ($500) 1979
National Endowment for the Arts, Photography, ($10,000) 1978-79
Arizona State Council on the Arts, for the film “Waiting for Phoenix to Rise From Its Ashes”, ($500) 1977
Arizona State University Faculty Grant in Aid, filmmaking, ($2,000), 1977
Gallery Association of New York Mixed Media Fellowship to do photo/language installation, ($1,000) March 1977
CAPS Grant (Creative Artist Program Service Fellowship through the New York State Council on the Arts), “Composite Photographs”, ($3,350) 1977
State University of New York Research Grant, for Projects in the Fine Arts, “Composite Imagery”, ($3,500) 1976
State University of New York Faculty Grant for Learning Methodology, ($400) 1975
CAPS Grant (Creative Artist Program Service Fellowship), “Composite Photographs Using Color Additive Processes”, ($3,000) 1974
Lectures and Presentations of Creative Research /Panels and Talks:
"ART + PUBLIC: Engaging the Community through Art” at the Gaines Center for the Humanities, The University of Kentucky, Lexington, KY, March 2008
“LexArts, The Future of Public Art,” panel discussion with Julie Decker, Chair, Art Department, Georgetown College, KY, March 08
“EmerAgency Zones” on a multi-diciplinary process of image-making, image-inquiry and consultancy at the National Society for Photographic Education conference in Austin, Texas, March 2003
“Art Making Under Fire” at the University of Illinois, Carbondale, IL, March 2003
“My Work In Public Art” keynote address at “The Big Picture”, national conference on photography and public art, Atlanta Celebrates Photography, Metropolitan Public Art Coalition, Atlanta, Georgia, October 2001
“Interventions and Provocations: My Work So Far”, at Western Michigan University, Kalamazoo, Michigan, October 2001
“More Than One: The Display of Images In Time and Space” panel at the Society for Photographic Education’s 38th National Conference, Savanna, Georgia, with Gary Metz, Nathan Lyons, and David Freund, February 2001
“Photo-Based Computer Generated Tile Murals” University Photographers of America Association , National Symposium, University of Florida, Gainesville June 20, 2000
“Approaching the Border: Personal Photo, Text and Video work About US/ Mexican Relations” at Universidad Veracruzana Xalapa, Mexico, May 2000
“Perspectives: the Work of the University of Florida School of Art and Art History’s Studio Faculty” Universidad Veracruzana, Xalapa, MX, May 2000
“The Caribbean Code: Haiti and the Miami River” at the 26th Annual Southern Graphics Council Conference, University of Miami, Florida, March 2000
“Strategies for Dynamic Leadership” panel at the University of Florida, Sponsored by the Named Presidential Fellows and the Graduate School, January 2000
“ Outside Mexico” panel at the regional conference of the Society for Photographic Education, Daytona Beach, Florida, October 1999
“Porn Queens, Perverts, Jailbirds and Bad Mommies: Cultural Confrontation with the Law and Academia” juried panelist, College Art Association national conference, LA CA February 1999
“Consuming Mexico: Perspectives on the Arts” at the Forth International Conference of the Americas, Tampa, Florida, January 1998
“Imaging Florida: Spring Break and Other Attractions” Society for Photographic Education, National Conference, Philadelphia, PA March 1998
“Imaging Florida: Miami River Project” Conference on Computers and Writing, University of Florida, May, 1998
“Imaging Florida: Tourism as Theory” at the Symposium of the Florida Research Ensemble, University of Florida, Gainesville, Florida, 1997
“Think It/Ink It: Education Panel” at the 25th Annual Southern Graphics Council Conference, College of Fine Arts, University of Southern Florida, Tampa, Florida, 1997
“The Diary, the Gallery, the Street: the Evolution of My Art Making Practice”, New World School for the Arts, Miami, Florida, 1996
“Public Art: Recent Projects”, Workshop for Art Research and Practice lecture series, University of Florida, Gainesville, Florida 1996
“From the System to the Street: Issues In My Art Making Practice” Sierra Nevada College, Visual and Performing Arts Dept., Incline Village, Nevada, July 1996
“The Portrait Extended” Denver Art Museum, Denver, Colorado, July, 1996
“Issues of Public and Private in Art” conference, Albuquerque, N.M. 1995
“Public Art and Technology: Beyond Technofluff” at the national conference of the Society for Photographic Education, Chicago, 1993
“Diary, System, Street: Thoughts On My Recent Work” at Adams State College, Alamosa, Colorado 1993
“Diary, System, Street: Thoughts On My Recent Work” at the American Photography Institute National Graduate Seminar, New York University, New York, NY, July 1992 * transcript being published in conference proceedings.
“Activist Public Art” at the American Photography Institute National Graduate Seminar, New York University, New York, NY, July 1992 transcript published in proceedings
“Censorship and Government Funding of the Arts: How to Balance Artistic Freedom and Public Accountability” as part of the Seminar Representing the Arts: Censorship and Artistic Freedom directed by Colorado Lawyers for the Arts and The American Civil Liberties Union, December 10, 1992
“A Revisionist History: Who Will be Represented”, a Tribute to Robert Trujillo who was Head of the Colorado Communist Party, Denver 1991
“A People’s History of Colorado” on the occasion of the dedication of my mural to Richard Castro, Denver Convention Center 1991
“A Colorado Panorama: The Mural Project”, University Women’s Club of the University of Colorado at Boulder, 1991
“Is It Obscenity? Life VS. Art”, moderator of debate between ACLU Director James Joy and Professor Robert Terrell, University of Colorado, Boulder 1991
“Feminist Pedagogy”, lecture at the National Society for Photographic Education Conference, Santa Fe, New Mexico 1990
“Teaching Strategies for the ‘90’s” panel for “Review, Refocus, Rebuild” Southwestern Regional Conference of the Society for Photographic Education,
Prescott, Arizona, 1990
“Censuring the Arts and Humanities” panel discussion for the Inaugural Series, University of Colorado at Colorado Springs,1990
“Collaborative Efforts in Art Making” Ginny Williams Gallery, Denver, Colorado 1990
“From Personal to Public Art Making” Dean’s Update Reception, University of Colorado, Boulder, Colorado 1989
“The ‘Phallacy’ of the Hero: A Feminist Critique of the Artist as Heroic Figure”, American College Art Association, Kansas City Art Institute, Kansas City, Missouri 1988
“Collaboration: Signature as Problematic”, Mid American College Art Association, Kansas City Art Institute, Kansas City, Missouri, 1988 (panel)
“Women and Media”, International Women’s Week conference, University of Colorado, Boulder, Colorado, 1988
“Computer Digitized Photographs Translated Into Tile”, delivered at both the Zonta Club of Denver and to Mayor Pena and the Press, Mayor’s Office, 1988.
“Public Art Today”, at the State Department of Social Services, Denver, Colorado 1988
“Photo/Language Works”, Rhode Island School of Design, Providence, Rhode Island 1987
“Feminist Theory and Photography: Issues of Representation”, University of Colorado, Boulder, Colorado, 1978
“Narrative Strategies”, Southern Illinois University, Carbondale, Illinois, 1986
“Naked: Exhibition and Issues” panel at the Society for Photographic Education’s regional conference, Boulder, Colorado 1985
“Toward a Visual Culture”, opening address at the Society For Photographic Education’s regional conference, Boulder, Colorado 1985
“Women and Less (or No) Money” panel at the Society for Photographic Education’s National Conference in Minneapolis, Minnesota, 1985
“New Family Album and Other Installation Work”, University of Rochester, New York, 1984
“On Collaboration In Art Making”, Rochester Institute of Technology, Rochester, New York, 1984
“Photo Environmental Installation: The Family Album”, Regional Society for Photographic Educator’s meeting, Chandler, Arizona, October 1983
“Teaching Women: Toward a Non-Sexist Photo Education”, organized and moderated this panel at the Society for Photographic Education, national meeting in Philadelphia, 1983
“The Slow-Scan Video Project”, a panel, Society for Photographic Education’s national meeting in Philadelphia, 1983
“Story Telling As a Survival Tactic”, Series, Sequence, Narrative Symposium, Colorado Mountain College, Breckenridge, Colorado. 1982. (I also participated in a panel discussion at the close of the conference)
“Evolution of My Work in Photography”, University of Colorado, Boulder, 1982
“Personal Work”, Los Angeles Center for Photographic Studies, 1982
“Looking at ‘Women Look at Women’”, a consideration of the Library of Congress exhibition, University of California, Los Angeles, 1982
“Lifestyles” a panel at the National Meeting for the Society for Photographic Education, Asilomar, California, 1981
“Sources In My Work”, International Center for Photography, New York, New York 1981
“The Relationship of Film to Photography in My Personal Work”, University of Illinois, Chicago Circle Campus, Chicago, 1981
“Insinuating the Narrative”, Columbia College, Chicago, Illinois, 1980
“Photo Related Environments and Extended Photo Projects”, University of Illinois, Chicago Circle, 1980
“Personal Work”, Institute of Design, Illinois Institute of Technology, 1979
“Fire Walking and the Other Impossible Things That Happen”, Wayne State University, Detroit, Michigan, 1979
“Between the System and The Street”, The School of the Art Institute of Chicago, Chicago, Illinois, 1979
“Photo Related Environmental Installations”, San Francisco Art Institute, 1978
“Personal Work”, California Institute of the Arts, Valencia, 1978
“Conceptual vs. Visual/The Nature of the Problem/One Solution”, Western Regional Conference for the Society for Photographic Education, Chula Vista, California, 1977
“Photo Related Environmental Installations”, Image Makers Caucus, Society for Photographic Education, Boulder, Colorado, 1977
“Conceptual and Structural Uses for Photography”, Lake Placid School for the Arts, Lake Placid, New York, 1977
“A History of the American Avant Garde Cinema”, a six lecture series to accompany the Whitney Museum’s Film Series, Scottsdale, Arizona, 1977
“The Relationship of My Films to My Photographs”, Arizona State University, Tempe, Arizona, 1974
“Sources for Film and Photo Ideation”, Hudson D. Walker Gallery, Provincetown, Massachusetts, 1976
“Some Thoughts on Contemporary Experimental Film”, Patterson Art Gallery, Patterson, New York, 1974
“My Personal Work in Film and Photography”, Rochester Institute of Photography, Rochester, New York, 1974
Related Professional Activities:
Recipient, Mentor Award in Teaching, University of California, San Diego, 2007
Designer and Photographer, visiting artist poster for national distribution, University of Colorado, Boulder, CO, 1991
Juror: Colorado Lawyers for the Arts Annual Art Competition, 1990
Juror: Arts Midwest/ National Endowment for the Arts Regional Visual Arts Fellowship Program, 1990
Panelist, Fulbright Fellowship, University of Colorado, Boulder, Colorado, 1989
Juror, Capitol Hill Photography Exhibition, Robischon Gallery, Denver, Colorado, 1989
Juror: Western States Regional Media Arts Fellowships, Rocky Mountain Film Center, Boulder, Colorado, 1987
Director, University of Colorado Summer Workshops, a five week workshop series with lectures, panels, exhibition, and a catalogue, 1987
Juror: Boulder Center for the Visual Arts Photography Exhibition, 1987
Director, Toward a Visual Culture: Related Issues in Film, Photography, and Electronic Media, a conference sponsored by the Society for Photographic Education, the University of Colorado, and Naropa Institute of Boulder, Colorado. Included fund raising, conceptualization, and actualization of this four day event. Thirty-six speakers with national reputations participated. 1986
Recipient, Jacob Van Eck Mentor Award in Teaching, 1986
Board of Directors, National Society for Photographic Education, 1983 to 1988, Chairperson, Services to the Field Committee, 1985 to 1988
Chairperson, International Committee, National Society for Photographic Education, 1983-1984
Project Co-Director (with Alex Sweetman) Naked, a national juried photography exhibition and portfolio of fine photographic prints published by the University of Colorado in an edition of 50, 1985-86
Project, Director, University of Colorado Portfolio: Boulder, 1983-1984
Juror: First Rocky Mountain Underwater Photography Contest, 1986
Juror: Naked, International Photography Exhibition, with Robert Heinecken and Ann Noggle, 1985
Juror: Our Atmosphere, Our Future, an Art Exhibit at the National Center for Atmospheric Research, Boulder, Colorado, 1985
Consultant: Peer Group, Friends of Photography, Carmel, California, 1982 to the present
Steering Committee Advisory Board, National Society for Photographic Education, 1981-1982
Board of Directors Nominating Committee, Society for Photographic Education, 1981
Video Interview with Charlie Traub, Director of Light Gallery and former Director of Columbia college Photo Program, published by “The Video Date Bank”, School of the Art Institute of Chicago, Chicago, Illinois1981
Developed and co-directed Arizona State University’s inter-media program, the first degree-bearing cross-media program in the country. In conjunction with this program, I taught several new courses: “Extensions of the Photographic Image”, “Photo Related Environmental Installations”, and “Inter-Media Film Making”, 1976-77
Developed and taught graduate philosophy seminars in “Relevant Ideas for Contemporary Artists”, with an emphasis on Structuralism, Phenomenology, Marxist, and other art-critical and political perspectives. Arizona State University, 76-77, School of the Art Institute of Chicago, 78-79
Consultant: graduate program, Visual Studies Workshop, Rochester, New York, (Final Projects Advisor), 1977
Developed the Experimental Film Production Program at SUNY at Buffalo, New York. This included finding requisite funding for equipment and building the editing and screening facility. Concurrently, I organized and directed the first, second, and third annual SUCB Independent Film Festivals, 1974-1976.
Juror: 1975 Creative Artist Program Service Fellowships (CAPS Grants) sponsored by the New York State Council on the Arts
Bibliography:
A. Articles About Barbara Jo Revelle In Books, Journals, etc. (*indicates that article is accompanied by reproductions of Revelle’s work. + denotes most adequate description. -B.J.R.)
Alan Artner, “Barbara Jo Revelle at the Chicago Center for Contemporary Photography”, Chicago Tribune, August 3, 1979.
Alan Artner, “Day in the Life is “Self” With a Few Who Go Beyond”, Chicago Tribune, August 3, 1979. (Revelle is cited as one who ‘goes beyond.”)
*+Dana Asbury, “The Self as Subject: Visual Diaries by 14 Photographers”, Exhibition Catalogue, the University of New Mexico, 1983.
*+Anthony Bannon, “Between the System and the Street”, AfterImage, Rochester, New York, March 1978
+Anthony Bannon, “Exhibit Finds Artful Link with Phoenix”, Buffalo Evening News, May 17, 1977.
*Anthony Bannon, “A Course in History Shows In Photography Exhibition”, Buffalo Evening News, Buffalo, New York, October 13, 1975
Robin Blumner, “The Public Can Handle It” Bradenton Times, Bradenton, Florida,
February 1, 1998
Patti Bruck, “Visual Art...” Colorado Daily, October 13,1975
P. Bortwood, “Mother’s Warning Voice”, The Tucson Weekly, October 3, 1984
Pat Calafia, “Censoring Censorship”, Stop the Presses: First Amendment News, July/August Issue, 1998
*Mary Chandler, “Proposal for Convention Center Tests City’s New Art Program”, Rocky Mountain News, September 11,1988
Irene Clurman, “Boulder’s Naked Show Offers Myriad Revelations,”
November 15, 1985, Rocky Mountain News.
*Charles Desmarais, “Mother, Father, Lover, Friend”, The Portrait Extended, Exhibition Catalogue, Museum of Contemporary Art, Chicago, September, 1980
David Elliott, “Breaking Boundaries”, Sun Times, (Chicago, Illinois), September 14, 1980.
Kathy Erbacker, “Get the Big Picture at C.U.”, The Denver Post, July 12, 1987
Candida Finkel, “Barbara Jo Revelle/Reading”, New Art Examiner, summer, 1979
*Hal Fisher, “Process Made Visible”, AfterImage, May 1979.
*Hal Fisher, “Process Made Visible”, Artweek, March 17, 1979.
*Ron Geibert, “Family Portraits”, Write State University, Dayton, Ohio, 1987
*Reed Glen, “Un-Conventional: Barbara Jo Revelle’s Unique Plans for Denver’s Convention Center Mural”, Boulder Daily Camera, October 9th, 1988
Reed Glen, “New Art and the Value of Shock”, Boulder Sunday Camera, November 3, 1975.
Chris Gonsalves, “Seven Things You Need to Know About the Best of Our Public Art” (Revelle’s mural portraying the history of Ft. Myers from the Second Seminole War to the arrival of the railroad described.) Gullfshore Life, 2007
*Beryl Grahm, “Long Term Relationships: Photography as Permanent Public Art”, Camerawork, Vol. 20, #2 Fall/Winter 1993 pp18-29
Stan Gorton, “Library Mural to Celebrate Lafayette’s Past” Lafayette News, Colorado, Dec 10, 1997
*+Carol Harmel, “The Portrait Extended”, AfterImage, December, 1980
* Sally Harris, “An Intimate Look At Life With Katie”, Roanoke Times and World News, December 1, 1981
Niki Hayden, “The Larger View: Revelle Discovers Public Art Can Be Controversial”, Boulder Daily Camera, July 17, 1993
Jennifer Heath, CUs Faculty Show”, Longmont Sunday Times-Call”, October 3, 1985
*+Jennifer Heath, “Barbara Jo Revelle and Ron Sukenick”, New Art Examiner, April 1987.
Jim Huginin, “Celebrating Two Decades”, exhibition catalogue from UCLA, 1984.
Jim Hugunin, “The Naked Truth”, essay published with Naked, a limited edition portfolio, University of Colorado, 1986.
Jane Hulse, “Art Exhibit Stirs Clash...” Rocky Mountain News, October 26, 1985.
*+Budd Hopkins, “A Note on Composite Imagery: The Photographs of Barbara Jo Revelle”, Artforum, Vol. 14/No.8, April 1976.
James A. Innon, Electronic Collaborations In the Humanities: Issues and Options, Lawrence Erlbaum Associates Inc, New Jersey, (my work with the Florida Research Ensemble on the Miami River Project described in detail) 2007
*Harold Jones, “Barbara Jo Revelle/Photography”, Twenty Arizona Artists, Exhibition catalogue, Phoenix Art Museum, July 1976
*James Kaufman, “Once Is Not Enough”, The Des Moines Sunday register, September 28, 1980.
Lorraine Kenny, “Vital Statistics”, AfterImage, May 1986.
Elaine King, “The Portrait Extended”, New Art Examiner, October 1980.
*April Kingsley, “Barbara Jo Revelle at the Midtown Y Gallery “, The Soho Weekly News, December 25, 1975.
Eldin Kotter and Marilyn Stewart, Art: A Community Connection, Davis Publishing, work cited and reproduced, June/July 2000
*Judith Russi Krishner, “The Possibility of an Avant-Garde”, Chicago Art Journal, with reproductions of my work, September 1985.
*Judith Russi Krishner, “Critical Messages”, In These Times, (Chicago Art Journal), September 4-10, 1985.
Krodel, Beth, “Photo Mural On Clock Tower To Reflect Longmont’s History”, Boulder Daily Camera, 1992
T.H. Lauria, “Naked: BCVA Hosts Controversial Show”, Audience, November 7 - 13, 1985.
*+Lucy Lippard, “Sniper’s Nest”, “Z” Magazine, Vol 4, #6, June 1991, pp 72-75
*+Lucy Lippard, “Facing Up” in England’s “10/8” Magazine, November, 1991
Lucy Lippard, The Pink Glass Swan: Selected Feminist Essays on Art, 1995, p.246
*+Lucy Lippard, The Lure of the Local: Senses of Place in Multicentered Society, 1997 p.88
*+Lucy Lippard, On the Beaten Track: Tourism,Art and Place, 1999
Katherine Lord, “A Thorn Is a Thorn Is a Thorn”, Exposure, 22:2, summer 1984, pp.40-44
*+Mary Motian-Meadows, “A Colorado Panorama: Barbara Jo Revelle Pays Tribute to Colorado’s People”, Denver Magazine Volume 20:6, June 1990, pp.39-42.
Steve Millard, “Exhibit Brochure Stirs Furor”, Boulder Daily Camera, October 25,1985.
Donald Mitchel, Cultural Geography: A Critical Introduction, Blackwell Publishers. 1999 Chapter one of the book opens with a discussion of the controversy concerning Revelle’s “People’s History of Colorado” public art mural
*Robert Morgan, “Memories by the Minute”, Sunday Democrat and Chronicle, Rochester, New York, January 1984
Jane Myers, “Femaleness in Art”, Ann Arbor News, October 31,1975.
Diane Neumaier, “Alfred, Harry, Emmet, Georgia, Eleanor, and Me”, Exposure, 22:2
Summer 1984
Stephanie Pierson, “Naked”, CU Campus Press, November 14, 1985.
Shelly Rice, “Feminism and Photography: Trouble in Paradise”, AfterImage, vol.6/8.
Amy Reinink, “On Display at UF, the Art of War, Courtesy of Mailman”, The Gainesville Sun, April 25, 07
Harriet Riches, “Clues to a Lost Artist”, Oxford Art Journal 10.1093, July 2007.
Leland Rucker, “Prof.’s Colossal Mural earns Huge Grant”, Colorado Daily, Vol.96, No.151 October 5, 1988
Blair Sands, “Bucking the Canvas Quo”, Moon Magazine, Gainesville, Florida, February 12, 1997
Paul Sharits, “Spring Comes Late to Upstate New York”, The Buffalo Projective, film catalogue, Media Studies, Buffalo, New York, May 1976
John E Semonche, Censoring Sex: A Historical Journey Through American Media published by Rowan and Littlefield in Plymouth, Maryland in the USA and in the UK. 2007
Nina Siegel, “Doubly Forbidden”, New York Times Magazine, February 1, 1998. P.15
Shaw Smith, “Coded Messages in Colorado: Image wars at the Center for Idea Art”, New Art Examiner.
Alan Sondhein, “Sexuality, Power, and Feminism”, Exposure 22:2 Summer 1984, pp. 14-18
Buzz Spector, “Critical Messages: The Use of Public Media for Political Art by Women”, Artemesia, Chicago, Illinois, 1985
Margaret Stanton Murry, “Barbara Jo Revelle”, American Photography Institute National Graduate Seminar Proceedings, Tish School of Arts, 1992 PP 198-199.
Alex Sweetman, “Photographic Book to Photobookwork: 140 Years of Photography in Publication: Colorado Museum of Photography Bulletin. Published by University of California, March 1986.
William Tilson and John Craig Freeman, Place and the Electrate Situation, rhizome.13, fall 2006
Gregory Ulmer, "Image Heuretics," Contemporary Poetics (Avant-Garde & Modernism Studies), Ed. Louis Armand, Northwestern University Press (2007): 233-355.
Gregory Ulmer, “Derrida in Miami (Miautre)” by Gregory Ulmer in the European Legacy, ,Vol 12 issue 4, July 07
*Ann Weinstein, “Photographers Walk Line Between Life and Art”, Roanoke Times and World News, December6, 1981.
Whaley Monte,”Paint the Town: Artist Blends Cultures in Mural”, Longmont Times Call, 1992
B. Reproductions of Barbara Jo Revelle’s Work in Books, Calendars, and Catalogues not listed above (not accompanied by essays)
Artemesia’s 25th Anniversary Calendar, image of Revelle’s work chosen to represent 1985, published by Artemesia Gallery, Chicago, Illinois, 1999
1995 Gallery of Denver’s Public Art, Colorado “Panorama: A People’s History of Colorado”, image chosen to represent December 1995. Published by Central Services Division, Denver, Colorado, 1995
*”Colorado 1990”, Denver Art Museum, Colorado, 1990
*”Modern Photography and Beyond”, National Museum of Modern Art, Kyoto, 1987
*”Photographs from the Last Decade: Facets of the Collection”, San Francisco Museum of Modern Art, 1987
*”American Roads”, exhibition catalogue, Petaluma, California, 1986
*”Life Stories”, exhibition catalogue, Minneapolis College of Art and Design, 1986.
*”Family Tradition/Transition”, exhibition catalogue with text and reproductions of my work, University of Minnesota, Minneapolis, Minnesota, 1985.
*Extending the Perimeters of 20th Century Photography, exhibition catalogue with text and reproductions of my work, San Francisco Museum of Modern Art, 1985.
*Quiver, Number 11, “The New Portrait’, edited by Michelle Becott and William Larson, Philadelphia, Pa. 1985
*The Great West: Real/Ideal, edited by Sandy Hume, Gary Metz, and Ellen Manchester, University of Colorado, Boulder, 1978.
*Coming of Age in America, “A Critical Exhibition Comparing Our Attitudes Toward Youth and Aging”, edited by Larry Siegel, Exhibitions catalogue, Cover Photo, New York, NY, 1976
*Words and Pictures, an exhibition catalogue from a show of work by Wanda Hammerback, Bart Parker, Barbara Jo Revelle, and Ed West, The University of Connecticut, November 1980.
*A Day in the Life, “24 Hours In the Life of a Creative Woman”, ARC Gallery, Chicago, Exhibition catalogue, August, 1979.Buffalo, New York, April 1974.
*1977 Creative artist Program Service Fellowship catalogue, CAPS Grant Winners, New York, New York.
*1974 Creative Artist Program Service Fellowship catalogue, CAPS Grant Winners, New York, New York.
C. Inclusion in Published Portfolios
Naked, published by the University of Colorado, Boulder, in an edition of 50, a portfolio of 35 artists’ photographs with an introduction by Jose Arguelles, 1984.
1984, published by the University of Illinois, Chicago, in an edition of 35, portfolio of 27 artists’ photographs with an introduction by Jose Arguelles, 1984.
1984, published by the University of Illinois, Chicago, in an edition of 100, with the work of Joe Jacna, Aaron Siskind, and others, 1984.
American Roads, published by Landweber Artists, Los Angeles, in an edition of 100, a portfolio of “artists” photographs, including Nathan Lyons, Tod Papageorge, Henry Wessel, and others, with an introduction by James Hugunin, 1982.
Umbra, published by the School of Art Institute of Chicago, in an edition of 50, Tempe, Arizona, 1977.
D. Essays by Barbara Jo Revelle in catalogues, books, journals
Barbara Jo Revelle, Gregory L. Ulmer, “Miami Miautre: Mapping the Virtual City” in The Journal of Visual Culture, Volume 1, Number 3, pp 340-356, with four reproductions of my photographs, Sage Publications, London, CA, New Delhi, December 2002
Barbara Jo Revelle , Gregory L. Ulmer, Gordon Bleach and John Craig Freeman, “Imaging Florida”, in “Exposure”, Society for Photographic Education, Volume 32, 1999
Barbara Jo Revelle, “Secrets, Explosions, and the Possibility of Subversive Beauty”, catalogue essay “35 Annual Art Faculty Exhibition,” University of Florida, Gainesville, Florida, 2000.
Barbara Jo Revelle, “Some Thoughts on Process, Non-Attachment, and Disruption”, catalogue essay “32 Annual Art Faculty Exhibition,” University of Florida, Gainesville, Florida, 1997.
Barbara Jo Revelle, “Like Getting Your Cat to Jump in the Bath Tub” catalogue essay for the Annual Student Juried Exhibition, University of Florida, Gainesville, Florida, 1997.
Barbara Jo Revelle, “On Being a Public Artist” in “Contemporary Art and Multicultural Experience” edited by Susan Cahan and Zoya Kocur, The New Museum of Contemporary Arts, Routeledge Press, New York and London, 1996.
Barbara Jo Revelle, with Suzanne Bloom, Ed Hill, Ester Parada, “Displacement: The Artists as Homesteaders, the Artists as Polemicists” in American Photography Institute National Graduate Seminar Proceedings, Tish School of Art, 1992, pp. 119-121.
Barbara Jo Revelle, “Coming of Age In the 60’’ Artpaper, Volume 12, No.2, October 1992, Minneapolis, Minnesota.
Barbara Jo Revelle, “Narrative Photography” Upfront Magazine #14 spring 1988 (with Alex Sweetman)
Barbara Jo Revelle, project director “Survey of Women and Persons of Color in Photographic Education”, Exposure Magazine, Volume 26 no. 2/3, Society for Photographic Education, 1988 (referred journal).
Barbara Jo Revelle, “Someone in Particular: Some Thoughts on Mail Art”, In Mail, Etc. Art, Published by the University of Colorado, Boulder, 1980.
Barbara Jo Revelle, “Theory/Flesh” in “U-Turn “(progressive art journal out of L.A.), 1985, with text and reproductions of my work.
Barbara Jo Revelle, “Death Sentences (after Maurice Blanchot)”, Working Papers, Minneapolis, 1983.
Barbara Jo Revelle, “Remembering the COE”, The Center of the Eye, by Alex Sweetman, Aspen Center for the Visual Arts, 1983.
Barbara Jo Revelle, “Reading”, Photography, The Problematic Model, edited by Lew Thomas and Robert d’Augustino, Not For Sale Press, San Francisco, California, Spring, 1981.
Barbara Jo Revelle, “Nothing Less Than Life, Death, and Ecstasy”, The Phoenix Five, edited by M. Magenta, Arizona State University, Tempe, 1978.
E. Broadsides and Published Posters by Barbara Jo Revelle
Barbara Jo Revelle, “ Moving”, exhibition statement published in conjunction with photo/language installation, Buffalo, New York, 1977.
Barbara Jo Revelle, “Sorting”, exhibition statement published in conjunction with photo/language installation, Arizona State University, 1977.
Barbara Jo Revelle, “Reading”, exhibition statement with extensive text/broadside poster, in conjunction with exhibition at the San Francisco Art Institute, 1979.
Barbara Jo Revelle, with Alex Sweetman, “New Family Album”, centerfold for broadside AfterImage, Volume II, No.6, January 1984.
|